IIt shouldn’t be surprised that the former actors in real reality show that more than 15 seasons of running have run out of new materials. A few days ago Donald Trumpthe former star of NBC’s Apprentice and Incumbent President of the United States, released a long social rant in truth, who (again) threatens the country’s leading cultural institutions to comply with its political ideology. The goal is that he used to have one in his crosshairs – the Smithsonian National Museum of History and Culture (NMAAHC), which Trump calls “out of control” in his post. “Everything was discussed [in NMAAHC exhibits] Trump stepped down. “Awakening is bad, how bad slavery is. He continues to use all hats and habitual use of capitalization of common nouns. “We have the hottest countries in the world and we want people to talk about it, including in our museums.” ”
The long tirade has made many wonder what Trump is in the realm of slavery, but they have heard this recycled conversation point before. The review appears to be a few days ago by his other reality show bullying Butly Jillian Michaels, a former trainer for NBC’s biggest loser, a 2004 weight loss contest show launched with apprentices. Fat shamer To Mecca influencers.
In CNN’s News Night, host Abby Phillips hosted a roundtable discussion about Trump’s months of over-promotion to cultural institutions such as the Kennedy Center and Namarc. Michaels hijacked a lament of the prominence of slavery in the popular museum exhibitions in American history. “[Trump] Michaels said: “It’s not whitewashing slavery, he isn’t. [at NMAAHC] Do. “Michaels turned to Ritchie Torres, who sat next to her, uninstalled the popular far-right conversation points. She continued. Do you know who was the first game trying to end slavery?”
Torres interjected that slavery is a white supremacy system, not a set of individual white behaviors, unaffected by TV stars. (20% to 50% of the white population in the southern U.S. states have enslaved people, and all white people across the country benefit from the racial order of slavery. Michael’s false claims prompted Phillips to release later Public correction)
The long talk is an escalation of Trump’s previous public statementRestore the truth and sanity of American history”, an effort to display and install and politicize its content in federally operated museums and galleries, while NmaAHC locks its sight directly into the government’s sight. Previous orders about museums have carried out loving “Blacksonian” on museums, with many of its consultants identified by many as specific propaganda. Returning to a century-old strategy to minimize movable slavery to “not so bad.”
If we learn anything from reality TV, it is that every narrative is scripted. No matter how easy their claims are to be debunked, Michaels and Trump are working to defend the role of white people in slavery, insisting that the status and consequences of slavery are excessive and refuting that it plays an important role in American history.
These assertions are a century-long myth of “lost cause”, led by the United Daughter of the Union Confederacy (UDC), a group of more than 100,000 white women who intend to reshape slavery again by reshaping the bloody image of the Confederate states. The slave transactions in the “Gentleman Lady” movement commissioned the era were “celebration of memory” and “Southern lifestyle”. Like Michaels, Trump and like-minded slavery deniers, supporters of the “lost cause” promote a peculiar misleading account of history, in which slavery was neither the cause of the American Civil War, nor benevolent because of Christianity and plantation life, they say, benefit Africans who are unfavorable to civilization.
UDC members use the social status of their wives and mothers to instill children, especially through catechism, control and production School textbookspapers and scholarship competitions and their derivative organizations, The Allied Children. Their focus on white children provides gender-appropriate cover for their goals to intimidate blacks in the south. They took advantage of the threat of lynching that shrouded any black man, including children who dared to challenge white women. The UDC lobbies strategically to place confederate statues and memorials in external courts, parks and other spaces, in an effort to intimidate African-Americans who are just engaging in civic life.
Trump’s obsession with the Smithsonian’s 19th installation shows that history is repeating itself. Since its opening in 2016, the NMAAHC has welcomed more than 10 million face-to-face visitors, with families and school groups driving the majority of this figure. On seven floors and 12 galleries, the museum offers great in-depth research into the stories of Black American life. The same is true of its visits to the grammar school students, which is impressive for nationally renowned historians.
During his initial trip in 2017, Trump Comment on the institution As a “glorious example of the incredible contributions of African Americans to our culture, our society, and our history.” Today, the museum is the first choice for many American public school systems to deprive or disband black history courses under the Republican state legislature’s “anti-strike” policy.
Trump’s Truth Social Job continues to announce that he directed his lawyers to “make a museum through a museum, starting the exact same process that colleges and universities have carried out,” comparing government funding cuts on university courses and research with the NMAAHC’s study of exhibitions related to slavery.
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This is a play in UDC’s book: Daughters know they have lost the war, but if they can successfully destroy black progress and black narratives of slavery in educational institutions, they can win the battle of the state narrative. With the defense deployed by the organization, defense is a tool of revenge, not a tool of justice – disconnected from all reality and focused on the narratives they insist that they are victims of the war caused by their families. They perfected the manipulation of public memory that controls racial hierarchy through control of education.
James Loewen, the late sociologist and historian Alliance monuments across the United Statesonce explained that the past is what happened, and history is what we say about the past, and some of us think that this should be the same thing. But we are caught in a battle of those who try to distort history and replace it with a novel that compensates for today’s wrongdoing.
UDC members continued lobbying for revisionist school curriculum and well placed Confederate Memorials in the 20th century, where they fought against black progress in the civil rights movement. Finally, the alliance monument was successfully opposed Nearly 100 were deleted Amid protests following the state murder of George Floyd. Still, there are hundreds of remaining Replaced recently. He sticks to a century-old storyline and hopes to be updated in another political season. However, this is the effect of the old material when your opponent already knows the script.

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